Choosing the Best Thunderbolt Audio Interface on Any Budget, How to Metal Scream Without Hurting Your Voice, Ludwig Supraphonic 5″ x 14″ LM400 Snare Drum, 6 Tricks for Crafting an Awesome Snare Sound. There are almost as many snare mic preferences as there are engineers and snare drums. Here are those samples (as 320K MP3s) so you can hear them for yourself. (See frequency response chart.) Microphone placement is like anything else, practicing and experimenting will only make you better. Snare Mics. I don't recall who suggested this or where, but I tried it a few weeks back on a drum kit on which the top and bottom were virtually inaccessible and it sounded good with, hold your breath, an sm 57 or 58. Most often I will use an Oktava MK-012 with the hypercardioid capsule. I've had good success with the AKG 451-B small diaphragm condenser on both top and bottom (polarity reversed) on the snare drum for rock music. That said, if you can't find one, the current incarnation of the KM84 is the KM184, and while it's not as legendary as its predecessor (yet!) Weird to have a Josephson C42 and not the e22s. So we’ll pick up on recording the snare drum as it is presented after those decisions have been made. That’s a simple question with a much less than simple answer. that I personally wanted to audition. It has the perfect smack, and sounds more 3D and open than a 57. Others prefer the more natural sound of an omni, especially if the off-axis sound is flattering and not abhorrently colored. Perhaps one of the most popular microphones amongst our membership is also arguably the reference when it comes to small-diaphragm condenser microphone designs. (Flat setting). Sounds great! Sweetwater’s Sales Engineers are always happy to help you find the gear you need. And its designed rolloff on the bottom (below 200Hz, to minimize handling noise) means you may need to EQ in some real low end to compensate for it being down 10dB at 50Hz. A microphone that dates back to the 1960s, the Sennheiser MD421-II is widely loved all across our boards. For one, you have a drummer who is striking at full force right next to that $500 dollar investment! This classic cardioid dynamic mic can be deployed on any number of recording situations, but guitar amps, vocals and of course snares are its most common uses. The snare is a loud beast and putting super expensive and sensitive mics next to it is just dangerous. Not one of the cheapest on the scene but most certainly one of the best snare mics that are suitable for close-mic snares and toms. Although it's not exactly the most affordable microphone, it's far from being prohibitively expensive, so the M201 TG should definitely be on your radar. This dynamic supercardioid mic presents a frequency response that reaches down to 20Hz and climbs all the way up to 22kHz with great mid/high-frequency detail, low self-noise and high sensitivity for effortless use with basically any preamp. The Neumann KM 184 is the perfect example. This would be similar to the Josephson C42, and I suppose nearly any good SDC will give you better high end snap than most dynamics -- the MD441 perhaps being an exception. There is one that will be the ultimate winner. He also produced the world-renowned 3D Audio CDs, a series which allows listeners to compare mics, preamps, analog-to-digital converters, DAWs, and summing, giving them the ability to hear the differences in their own spaces. I'd take a 57 or even better, an i5. It also deals with loud sources rather easily, taking over 130 dBs of SPL, which makes it a great candidate for snares - and given its diminutive footprint there shouldn’t be any placement problems when setting it up on a snare drum. And it offers the fine detail of a condenser mic. It also tolerates loud sources handily and the design definitely favours close positioning - which is just what we want from a snare drum mic. It offers a pretty good sound range and still offers cardioid pattern recording. When you buy a Shure SM57, you've got a great dynamic microphone for life. One very prevalent school of thought goes like this: “One SM57 over the snare. Each mic for the… Overheads; Kick; Hi Hat; Snare; Toms; Obviously you can get away with 3 Microphones and still compete, especially if you know what you’re doing. The i5 is a cardioid dynamic microphone with a frequency response of 50Hz-16kHz, with a noticeable peak around 5 kHz, capable of taking up to 140 dBs (SPL). The snare drum propels a song with a strong backbeat and adds immeasurable energy to a groove. Happy customers, one piece of gear at a time! Many will agree and some will scratch their heads, but hands down the best microphone I like to use is the Shure Sm57. Room or Overhead Mics. IMO the e22s is the best I've found...not a low-cost option though. , I personally like the low-mid thwack that an SM57 offers, but I usually have to add top end to the mic because of its natural high-frequency rolloff.

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