The AirCapt aerial microphone is generally used in addition to a contact microphone on a double bass. To adapt to all situations> both types of microphones, Removable> the Jack is fixed with double-sided, scratch or paste to be fixed depending on the instrument. As a result, we offer many different pickups for bass, since they vary more widely than one might think.Can I Have Both?If you don't fear a small bit of complication, a really nice solution can be pairing both a mic AND a pickup, and blending them using a two-channel amp or preamp. This can often provide the best of both worlds, as you will be able to blend the "realism" and "air" of a mic with the direct, foundational tone of a pickup. For acoustic stages> one or two aerial microphones. A pickup, since it's in direct contact with the instrument, will (quite logically) usually have a more "direct" sound than a microphone will - while the mic will impart more "air" to the sound it is producing. So, how they create sound to be amplified is actually a very similar process - they're both taking vibrational energy and converting it to electrical signals - it's just that a mic is pulling the vibrations out of the. A magnetic pickup is a common alternative to piezo-based pickups for players who play in high-volume situations. And you don't have to be on a crowded stage, performing for an audience - you can stand still and not worry about how moving around can alter how the mic sounds.So, while mics can sound best in a perfect situation, pickups are usually more resistant to feedback, and they have almost no "crosstalk" - meaning that they don't audibly pick up other, nearby musical instruments onstage. The aerial microphone brings you the proximity reverberations of the instrument, the playing details, the tune, the finesse of the treble ... “In my opinion, it is an excellent tool to amplify a double bass” Axel Kühn. I am really glad I ordered this version. For one, you often have acoustic baffles between you and other instruments, which prevents issues like your mic picking up the guitarist or drummer. The J48ACB below is the best-selling of this category. Indeed, it is efficient. AirBag-C is a new type of contact microphone with a natural sound and faithful to the instrument, it respects the nuances of the musician with precision. See sidebar.So, how they create sound to be amplified is actually a very similar process - they're both taking vibrational energy and converting it to electrical signals - it's just that a mic is pulling the vibrations out of the air instead of the wood. as it is "where is it?" Exceptional sound quality for a contact microphone, Limit of grip to feedback largely pushed back. Amazon's Choice for double bass pickup. The installation is removable, without intervention on the instrument. And it's very consistent from show to show; whereas, even a small adjustment to a microphone's placement or alignment can completely change the way it sounds (and rarely for the better).So, here's the takeaway.For live performance, even though a mic will almost always sound "better," a large percentage of us are content to live with the compromise of the more direct sound of a pickup, because it can usually be a more convenient - and less troublesome - way to amplify the instrument. VChaine wrote a review for product: J48CCB on Thursday May 28th, 2015, The aerial microphone in addition to the Ischell contact microphone on my double bass, the result is terrible! The result is beyond all expectations (in association with a Schertler jam 200 amp). FREE US SHIPPING on most orders over $50, every day! 119 impasse de la gare - 44800 Saint Herblain - France. The pose is delicate and took a lot of time, you have to be precise and patient, it even seems that I had a rather rare microphone problem, but the help ofIschell was fast and efficient, it is definitely worth taking the time to install, because after that it is only happiness, the result is breathtaking. We do really want you to get the right pickup... the first time. And if you run into unusual feedback or crosstalk issues, you can always taper back on the mic, and just roll with "plan B" - the pickup alone.Still Confused?If you are trying to narrow down whether to get a mic or a pickup, or more specifically, which one to get, take a good look at our product descriptions, which purposely edit out most of the manufacturer hype, and - based on our experience with them - try to describe them in a way that is meaningful... and that pulls no punches. solution. For one, you often have acoustic baffles between you and other instruments, which prevents issues like your mic picking up the guitarist or drummer. On installing our systems on your instrument. The fact that it is a static must have a lot to do with it, a piezo only transmits vibrations, with this real microphone, we can clearly hear all the ancillary or even parasitic sounds of the instrument: glissendi, curly, string clicks, without that it bothers, quite the contrary. Sound insulation and feedback resistance are comparable to a cell and allow high levels of face / return. I did some tests and I compared the sound by mutating the channel. Battery life is 500 hours. isn't always a cakewalk. I thank in passing Ischell for the kindness and great professionalism towards me. Double Bass Pickups The Ischell contact microphone is the basic system for the double bass (solid wood soundboard only) confronted with high levels on stage. as it is "where is it?" Indeed, you have to take the time to position it, but after that it's only happiness. …, So, we were excited to completely overhaul the website on July 1 of this year. You also usually have lower overall volumes in the tracking room -- there isn't a loud amplifier or PA system threatening to incite screeching feedback if you get too close or point your instrument/mic the wrong way (you're probably wearing isolation headphones for monitoring). So from a purely sonic perspective, the mic will usually have a more "realistic" sound. It is a very small microphone with a design studied to be placed as close as possible to the sound source for more gain, less feedback and less transplanting of ambient noise. Some have a darker, woodier sound, while some others are more detailed and "in your face." Mics and surface-mount pickups work in pretty similar ways, but are applied to the instrument differently - so they have somewhat different tonal characteristics. K&K Sound makes some affordable and convenient options for doing this, and you can also put together a custom a la carte solution. 2 - Coupling on stage possible but static only on the front …. This can often provide the best of both worlds, as you will be able to blend the "realism" and "air" of a mic with the direct, foundational tone of a pickup. So I can play hard enough without distorting its true sound. The other version often chosen is theX48C, simple system with XLR output and phantom power operation.

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