There are far better names for whatever 'negative harmony' is meant to describe. He's thrilled with the idea, and makes some YouTube videos talking about it. ('Seldom' is at the beginning, so we use inversion. So the negative harmony of C Major is F minor. Fast forward another 30 years and Jacob Collier reads Levy's book. Press question mark to learn the rest of the keyboard shortcuts. If your melody goes C4-E4-Bb3-C4, and you choose D4 to be your axis, the inversion around the axis is E4-C4-F#4-E4. Unless I'm interpreting it wrong... someone correct me if you got a different understanding. If your melody goes up a m3, the transformation goes down a minor third. There are 3 main meaning of inversion: 1) "Negative harmony" is mirror inversion, and is not the usual meaning of chord inversion: you reverse the order of the intervals; M3-m3-m3 (V7 chord C-E-G-Bb) becomes C-Eb-Gb-Bb (m3, m3, M3). In reality, a negative harmony could actually be something like a subtractive synth. Is there some sort of graph/chart/ visualization for this? Looks like you're using new Reddit on an old browser. So let's flip that, starting on C but going down with the same intervals. Each pitch that was below D4 is now the same distance above it, and vice versa. So what is it? This sentence emphasizes what beautiful work it is.) So basically you take the normal major scale (c d e f g a b c) and its intervals (w, w, h, w, w, w, h -whole step/half step) and go down. When he's speaking about degrees from your key center, he's referring to the circle of 5ths, not chromatic steps. C-E-G is a M3 and a m3. C-Ab-F -- F minor. (sorry if i wrote some notes or chords wrong i am from Croatia and we write musical things very differently here so yea). Yeah, I it's pretty much inversion. C-E-G is a M3 and a m3. That's all it is. It makes sense to direct people to the search bar for answers to questions that have all been answered thoroughly before. Fast forward another 50 years to the mid 1980s. ('Seldom' is in the normal place, so we don't use inversion. Let's say you've got a simple ii-V-I progression, Dm7-G7-Cmaj7. Negative harmony flips the notes over an arbitrary axis (usually between E and Eb in the key of C). there's no innovation in academia. Inverting around this microtonal note, G7 becomes Fm6 (F, A♭, C, D). I've studied a lot about negative harmony and my favourite thing is inverting a major scale and a major chord. Here's an example.. What makes this … When we built triads in lesson 2 we always wrote the root as the lowest note (or bass note) of the chord. You've moved the "negative" from the pitch axis - if a root was above it, it's now below, and if it was below the axis, it's now above. I thought all those music theory is actual just math statements were jokes.. Ten more precious minutes into his brain... For C, this would be a half-flat E (a microtonal note). haha that's inversion not negative harmony, but close. It's essentially the pitch axis theory applied to chord roots instead of a melody. Let's l… But outside of YouTube and blogs you don't hear much about it, because frankly, it isn't terribly innovative. I’ve recently been studying a lot of music theory, from AP textbooks, to YouTube channels, and of course this sub. Hope I gave you something to practice. I'm not really sure that 'negative harmony' is a great moniker for this process either.. e.g. I just think it's a bad term and shouldn't be used. When Jacob talks about the 4 and plagal side being a darker side and the 7 and sharp side being bright, that stuff is perfectly elaborated in Don Freund's spectrum of 5ths and that way of looking at music where notes lay on the spectrum of 5ths, which is basically like the circle of 5ths, except it goes back into enharmonic sharp and flat infinity on either side.


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