Request Free Quote. This site is a free online resource that strives to offer helpful content and comparison features to its … Rode NT1 vs Rode NT1A; Product Comparison: Rode NT1 vs Rode NT1A. The Rode NT1 is the newer and updated version of the famous NT1-A which was released almost 14 years prior.. It’s been completely redesigned from the ground up and the only component … Unfortunately, there is not much information provided in the market about the two product comparisons. Hello, I'm an amateur artist. Now, it is important to keep in mind, that most mics, of all price ranges, depend heavily on the source. With all this said, let’s take a moment to reiterate; at most price ranges, but especially the ~$200 price point, it’d be best to not take frequency responses and mic characteristics too seriously. It has an integrated 360-degree swing mount that able to works for quick and easy positioning on a desktop. Comply with any broadcast and podcast activity. Professional Production From Audio Assemble .announce-bar .fal { display:none !important;} We can also see that the mid-highs are slightly more exaggerated in the NT1A. While Rode NT1A works with P24 and P48 power option. However, above all else, knowledge of proper EQ, compression, and recording techniques will enable any microphone, even a $50 USB condenser mic, to create and record satisfactory content. You can only polish garbage so much. This Australian company that started in Sydney has been successfully marketed the product including their studio microphones. Well, essentially, you’re going to be getting a little more low-end resonance, which can help with clarity and character, along with bright top-end coming from the boost in the higher regions. While models such as the K2, NTK, and NT2000 are certainly good mics, Røde’s options in the (slighty over) $200 range really shine. $269.00 with shock mount and attached pop filter. Taking a look at the frequency response of the NT1-A, we see a slight boost at around 150Hz, and the 6k-12kHz range, with a steep cut at the high-end. But if you plan to get Rode NT1A set value, it is now selling at the market with a price of $230. Consist of a basic warranty of one year. It also manages to get the dust cover to avoid any dirt for a long time period. That is why for those who have prepared sufficient money to get a good studio microphone for broadcast and any recording activity, the difference shall not be a matter. The product set usually includes a Rode SM6 shock mount and pop filter. With the lack of boosts and cuts, and generally flatter response curve, the canvas is essentially blank, leaving it up to the creator to adapt to his or her liking. It’s the age of the bedroom producer (and engineer), so try not to let yourself feel limited by a lack of gear or funds. Or maybe the NT1 will provide a more natural sound for voiceovers and ambient recordings. It has a precision level control plus equipped with switchable zero-latency monitoring. Especially it comes from the best brand for studio microphones in the world. ... even a $50 USB condenser mic, to create and record satisfactory content. Taking a look at its frequency plot, we can see some additional differences. Sennheiser MKE 600 vs Rode VideoMic Pro Plus. Your email address will not be published. Talking about the brand Rode means to talk about one of the famous microphone brands in the world. Now, it is important to keep in mind, that most mics, of all price ranges, depend heavily on the source. With that said, let’s take a deeper look at the, Taking a look at the frequency response of the NT1-A, we see a slight boost at around, Now let’s take a look at the NT1-A’s newer counterpart. n the audio equipment industry for decades. Whether Rode NT USB VS NT1A, both products have good features and difficult to select. That is why it sounds incredible to use in a wide variety of applications. Therefore, they both have $60 differences. With all this said, let’s take a moment to reiterate; at most price ranges, but especially the ~$200 price point, it’d be best to not take frequency responses and mic characteristics too seriously.

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